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The Freethinking Times covers news, history, analysis, science, and culture from the perspective that clarity is a civic responsibility. We do not perform balance for its own sake. We follow evidence, name causes, and assign responsibility where the record warrants.

These ten pieces, drawn from across our sections, represent the range of what we do and the assumptions that underlie all of it.

What we believe about knowledge

Our epistemology — how we think about evidence, certainty, and the difference between genuine uncertainty and its performance — runs through everything we publish. Start here if you want to understand the intellectual stance of the publication.

  1. Opinion

    On the Moral Cowardice of Epistemic Humility

    There is a difference between genuine uncertainty and the performance of uncertainty as a way of avoiding difficult conclusions. Our public discourse has become expert at the latter. This piece names the pattern.

  2. Science & Technology

    What the Replication Crisis Actually Tells Us About How Science Works

    The failure of a large number of published findings to replicate is not a scandal — it is science functioning as designed, just more visibly than usual. A corrective to both panic and complacency.

How power actually works

The textbook version of how institutions function and the documented reality are often quite different. These pieces examine the mechanics — not the stated intentions.

  1. Analysis

    How Regulatory Capture Actually Works: A Field Guide

    The textbook definition of regulatory capture is too clean. Here is how the process actually unfolds — across industries, across decades, and without requiring anyone to be corrupt in any simple sense.

  2. Opinion

    The Newspaper Didn't Die. It Was Sold for Parts.

    The collapse of local journalism is not a market failure. It is the predictable outcome of private equity treating public institutions as inventory. The distinction matters for what remedies are available.

  3. Analysis

    The Attention Economy's Bargain, and Who Is Paying for It

    A close look at what the business model of free digital services actually extracts, from whom, and what the downstream consequences have been for public attention, information quality, and civic life.

What the record shows

Investigative and accountability journalism: what the documents say, what the officials said publicly, and what the gap between those two things reveals.

  1. News

    Federal Regulators Quietly Shelved Three Major Investigations Last Quarter

    Documents obtained through FOIA requests reveal that enforcement actions against major financial institutions were dropped without explanation in the final weeks of the fiscal year.

  2. News

    City's Affordable Housing Fund Diverted to Consultant Contracts, Records Show

    An eighteen-month review of municipal spending records reveals that nearly a third of the city's affordable housing allocation went to consulting firms — not housing.

What history teaches

The past is not a set of lessons but a record of contingency. Things that looked inevitable were not. Knowing the mechanism matters for imagining alternatives.

  1. History

    The Pentagon Papers at Fifty-Plus: What We Actually Learned

    The publication of the Pentagon Papers is remembered as a triumph of press freedom. The deeper lesson — about institutional deception and its durability — is less often drawn. This piece draws it.

  2. History

    The First Gilded Age Ended. Here Is What It Took.

    The concentration of wealth and power in the late nineteenth century looked permanent until it didn't. The mechanisms of change are worth studying carefully — especially by people who think change is impossible.

Culture as a site of argument

Arts and culture coverage that treats aesthetic choices as something other than neutral — as expressions of assumptions worth examining.

  1. Arts & Culture

    Cinema's Nostalgia Problem Is a Thinking Problem

    The film industry's retreat into franchises and reboots is not primarily an aesthetic failure. It is an epistemological one — a symptom of an industry that has stopped believing audiences can handle new propositions about the world.